Most mornings I wake up with an earworm, some fragment of a song, usually absurd or obscure but always annoying, rattling around my brain on an urgent repeat loop for several hours. But even for me, today’s takes the cake. It’s the title song from a movie made in 1965, which I saw once, sometime in the late ’70s or early ’80s. I’d be surprised if 10 people on my friends list has ever heard of it. It’s as stupid a movie and song as you’re going to see/hear, a Cold War spy and sports spoof set in a fictional Arab country, and – if memory serves – pretty offensive on many, many fronts. “John Goldfarb Please Come Home.”
Pretty good cast, Shirley MacLaine, Peter Ustinov, Richard Crenna, the Notre Dame football team, a host of familiar faces including an uncredited Terri Garr as “Harem Girl. Script by William Peter Blatty, who would later hit it big with “The Exorcist.” But just dumb and probably offensive by today’s standards.
I found the song on YouTube and played it through this morning – sometimes doing that helps shake a song out of my skull. (Trust me, don’t click on the link. It’s awful.) And I found something interesting – at least to me. The movie’s score and title song were credited to “Johnny Williams.” I thought the name perhaps more than coincidental so I checked, and yes, “Johnny Williams” grew up to be multiple Oscar winner John Williams – “Jaws,” “Raiders of the Lost Ark,” “Star Wars,” “Harry Potter,” “Jurassic Park” … you name it, he probably scored it. And if you look back in his filmography, in the 1950s and ’60s he wrote a lot of schlock, including “John Goldfarb Please Come Home.”
Still have no idea how this came popping out of the darkest depths of my memory hole to get priority access to my frontal lobes, but there you go. That’s how my brain works. By mid morning it had completely gone away, as usual, and it may be another 30 or 40 years before I think of it again.
But damn. “John Goldfarb Pleased Come Home?” What the hell.